Madlener House
4 West Burton Place
Chicago, Illinois 60610
Telephone: 312.787.4071


Barbara Stauffacher Solomon
FEB 25, 2022 - JUL 09, 2022

The Graham Foundation is pleased to present Exits Exist, an exhibition by San Francisco-based Barbara Stauffacher Solomon (b. 1928), that features site-specific supergraphics for the Graham Foundation’s Madlener House, accompanied by a selection of works on paper, a new series of sculptures, and artist’s books she has made over the last decade.

Exits Exist is the title of the first chapter of Solomon’s experimental autobiography Why? Why Not? She begins the story of her life with her move to Switzerland to study design with Armin Hoffman at the Basel School of Design in the 1950s. There, the only American in the rigorous program at the time, she began her nearly 70-year exploration of letterforms. Armed with the rules of Swiss graphic design, Solomon went on to break them as she combined her training as a dancer and painter, with her study of architecture to establish her own oeuvre. From her work on 8 ½ x 11 inch sheets of paper, to the pioneering supergraphics at The Sea Ranch in the 1960s, Solomon shifts in scale from the page to the wall—to make, as she says, the invisible visible.

At the Graham, the bold, hard-edged abstracted letters of black and vermillion painted on the walls proclaim, “EXITS EXIST.” She manipulates the bare white expanse of the walls for her composition to completely transform the 1902 interiors of the Prairie style mansion. On the second floor, the letterforms envelop the viewer—from the walls to the ceilings—and extend out into the space in a new series of three-dimensional objects. If the supergraphics are punctuated with empty space, the works on paper, also on the second floor, fill space with complex grids and collage in “an infinite collection of infinite collages.” Her penchant for wordplay and graphic invention is in full force throughout the exhibition, including artist’s books on display in the bookshop, such as Utopia Myopia, with the subtitle: 36 Plays on a Page, Typography & Pornography, Lines & Lies & Clues to Use, Nonsense Invents Events, A Kind of Novel Novel.

Originally planned for the spring of 2020, Exits Exist was realized through Barbara Stauffacher Solomon’s Graham Foundation Fellowship—a program that provides support for the development and production of original and challenging works and the opportunity to present these projects in an exhibition at the Graham’s galleries in Chicago. The Fellowship program extends the legacy of the Foundation’s first awards, made in 1957, and continues the tradition of support to individuals to explore innovative perspectives on spatial practices in design culture. The presentation also reengages with research that Solomon received support for in 1993, when she was first awarded a grant from the Graham Foundation for her work.

California native Barbara Stauffacher Solomon (b. 1928) began her career as a dancer, before studying painting and sculpture at the San Francisco Art Institute. She studied graphic design at the Basel School of Design in Switzerland and later established her own graphic design firm in San Francisco—creating the groundbreaking supergraphics and graphic identity for The Sea Ranch. Solomon returned to school in the 1980s to study architecture at the University of California, Berkeley. Her books include Green Architecture and the Agrarian Garden (Rizzoli, 1988); Good Mourning California (Rizzoli, 1992); Utopia Myopia (Fun Fog Press, 2012); Why? Why Not? (Fun Fog Press, 2013); Read Any Good Boots Lately (Owl Cave Books, 2018); Making the Invisible Visible (Owl Cave Books, 2019); Ditto (Colpa, 2021); and WE&ME (Colpa, 2022). She has exhibited her work widely and is in the permanent collections such as the San Francisco Museum of Modern Art; Los Angeles County Museum of Art; and Walker Art Center. Solomon is a fellow of the American Academy in Rome.

Exits Exist continues and expands the presentation of Solomon’s Relax Into the Invisible, originated by LAXART in Los Angeles and curated by Catherine Taft and Hamza Walker in 2019. At the Graham Foundation, the exhibition is organized by Sarah Herda, director; and realized with Ava Barrett, program and communications manager; and Alexandra Lee Small, senior advisor; and features new supergraphics by Barbara Stauffacher Solomon, installed by Nellie King Solomon, and painted by Andrew McClellan and Kelsey Dalton of Heart & Bone Signs. Gratitude for the work and support of Chris Grunder; Amavong Panya of NFA Space; and the Graham Foundation staff: Carolyn Kelly, Ron Konow, Tomi Laja, and James Pike.